The Martini
siblings were nothing remarkable. They were four skinny boys with bad haircuts.
They had a rabbit and a cat. “They grew up in a tiny grey house perched near
the foothills and the town they lived in was small and dusty during summer” (Clem
11) Throughout the years, Clem had expressed his impressions of how his
brothers would turn out. He concluded that Liv, his second oldest brother was
destined to become a paleontologist. Nic, the eldest leader had a way with
plants, and Ben the smallest and the smartest would have a bright future with
his good looks and popularity.
However, things
changed after Ben graduated from high school. He became anxious and refused to
tell anyone about his problems. It was not until he came to Clem for help,
explaining his circumstances “He had been approached, he told me, by someone from
another world. A hand had reached across dimensions and deposited a thumbprint
on the lens of his glasses” (Clem 21) It was the most illogical explanation but
no help was made until Ben’s conditions spiraled into suicide. From then on,
the family never spoke of Ben or his mental illness. “My family became nearly
invisible in the community. My father spent his days in long solitary walks. My
mother attended business conferences out of town. My brothers returned to their
retrospective workplace and I immersed myself in theatre studies.” (Clem 49) There was nothing left to talk about their
lost brother, and the scar in the family never did heal.
When Ben was telling Clem about things he was seeing, that, for me set the tone of this memoir, I felt as if that was the tipping point into the Martini's world of mental illness and the struggle against it. This whole notion of seeing things that aren't real takes me back to the film called Beautiful Mind starring Russel Crowe, one of my all time favorite films. But here's a clip of Russel's character struggling with what is and isn't real.
ReplyDeletehttps://www.youtube.com/watch?v=GvF4-C1EuJU